On May 24, 2016, The US State Department Cultural Property
Advisory Committee (CPAC) met in open session to discuss renewal of the
Bolivian and Greek MOUs. The following
CPAC members were present: (1) Prof.
Patty Gerstenblith, Chair (PG) (Public Member); (2) Rosemary Joyce (RJ)(Archaeology);
(3) Jane Levine (JL) (Trade); (4) Marta
de la Torre (MT)(Public); (5) Nancy
Wilkie (NW) (Archaeology); 6) James Willis (JW) (Trade); (7) Barbara Kaul (Public) (arrived late); (8) Lothar von
Falenhausen (LVF) (Archaeology); and (9) Thomas Murray (Trade). Katherine Reid (Museum) and Nina Archabal
(Museum) were absent.
The following individuals spoke on the Bolivian MOU in this
order: (1) Donna Yates (DH) (University of Glasgow); and (2) Sonia Alconini,
Society of American Archaeology. Both speakers supported the MOU with Bolivia.
The following individuals spoke on the Greek MOU in this
order: (1) Sue McGovern-Huffman (SM) (Association
of Dealers and Collectors of Ancient and Ethnographic Art); (2) Peter Tompa
(PT) (International Association of Professional Numismatists/Professional
Numismatists Guild); (3) Carmen Arnold-Biucchi (CAB) (Harvard University); (4)
Nathan Elkins (NE) (Baylor University); (5) Peter Schertz (PS) (Virginia Museum of Fine Arts); (6)
William Parkinson (WP) (Field Museum/University of Chicago); (7) Bryan Burns (BB)
(Wellesley); (8) John Papadopoulos (JP) (University of California, Los Angeles);
(9) Kim Shelton (KS) (University of California, Berkeley); and (10) Barbara
Tsinakis (BT) (Vanderbilt).
The first two speakers supported the MOU with changes or
opposed import restrictions on coins.
The second two speakers supported the MOU and restrictions on
coins. The next speaker supported the
MOU with modest changes on museum loans.
The rest of the speakers supported renewal of the MOU without
qualification.
Bolivian MOU
Donna Yates (DY) - Focuses comments on ecclesiastical
artifacts that are trafficked into the US.
Since the last MOU there have been church robberies. 310 items were stolen in two separate
thefts. Registries are better for
ecclesiastical artifacts because Churches maintain inventories. It’s hard to tell Peruvian from Bolivian
ecclesiastical artifacts apart, but both are subject to MOUs. There were 24,000 ecclesiastical artifacts
recorded before the last MOU. DY is
unsure if additional work has been done since.
Sonia Alconini (SA) - SA teaches at the University of Texas
at San Antonio. She previously taught in
Bolivia. MOUs are important instruments
to stop trafficking in Bolivian artifacts.
Bolivian artifacts still appear on eBay.
Some may be fake.
MT asked if there are warnings at the airport about
exporting Bolivian archaeological and ethnological goods. SA states, “no.”
TM asks about Bolivian textiles. SA says that some stores still sell them from
“hidden rooms,” but that there was a crack-down on such activity in 2013.
NW asks about local collections. Both DY and SA indicate they exist, but the
objects are supposed to be registered.
There is also a market for Bolivian artifacts in Brazil.
SA is asked about working in Bolivia. She indicates there are 5 levels of permits
that must be procured, but she maintains this added bureaucracy is “worth it”
because it demonstrates a buy-in to the archaeological work at both a national
and local level.
JL asks if any Bolivian material is legal under Bolivian
law. DY indicates archaeological
artifacts purchased before 1906 and ecclesiastical artifacts purchased before
1923 would be legal under Bolivian law.
Apparently, artifacts can only leave legally with a “presidential
decree” and this sometimes happens.
Greek MOU
Sue McGovern (SM) – SM represents the Association of Dealers
and Collectors of Ancient and Ethnographic Art (ADCAEA). ADCAEA stands for a responsible and legal
trade. The MOU has not worked. No seizures have been reported under it. ADCAEA recommends that the MOU not be
extended in its current form. ADCAEA
believes that US Customs should allow legal import of artifacts on the
designated list that are legally exported from Greece’s sister EU countries.
MT questions a statement in SM’s written presentation that artifacts without a provenance have no commercial value. SM states all the objects she sells have a provenance and she could not sell them without one. SM also states as an appraiser she would give “0” value to an artifact without a provenance. SM states that eBay is full of material without a provenance. SM defines good provenance as an artifact that is documented to have come from a recognized collection. 1970 is an ideal date, but not always possible, particularly for minor items like oil lamps.
SM gives an example of artifacts with exceptional
provenance. She recently sold artifacts
that had been previously lent to and exhibited at the Smithsonian.
JW notes that the 1970 date is a construct and there is no
real difference regarding the loss of context from an artifact illicitly
excavated in 1969 and one illicitly excavated in 1971.
SM notes while provenance is important we “should not throw
out the baby with the bathwater” when it comes to orphan artifacts.
SM notes that Greece should sell documented artifacts and
use the money to support archaeology.
She also notes back in the 1960’s no one could care less about
provenance.
Peter Tompa (PT) – PT represents the International
Association of Professional Numismatists and the Professional Numismatists
Guild. He states that current
restrictions based on where a coin is made rather than found are contrary to
the plain meaning of the Convention on Cultural Property Implementation Act. Such restrictions have already damaged coin
collecting and the people to people contacts collecting brings. He criticizes the paper of Nathan Elkins, an
academic supporting restrictions, as advocating positions either contrary to the
CPIA's plain meaning, contradictory to Elkins' prior
statements, or misleading on details about past coin seizures. PT also advocates that archaeological objects
on the open market within Greece’s sister EU countries should be allowed entry
into the US with either a valid EU export permit or no permit if this is
allowed under local law. He indicates
instead of focusing on more restrictions, Greece can take simple steps like
requiring that archaeologists pay a fair wage to locals and ensure there is
site security in the long off season.
JW indicates that the coin issue “is a difficult one” and
wonders if all the emphasis on context is to the exclusion of other important
issues. PT notes that the CPIA suggests
“context” is not the most important issue because the CPIA only allows restrictions
on objects of archaeological interest if they are also of “cultural
significance.”
MT questions PT’s views about EU regulations, but PT directs
MT to attorney Michael McCullough’s expert report on the issue. He promises to provide CPAC with that report. PT also promises to provide Sotheby’s paper
on “cultural significance” under the CPIA.
JW asks about due diligence. PT indicates that US dealers are forming a “Council for Numismatic Integrity” to make their due diligence practices more transparent.
LVF objects to PT’s suggestions in his paper about
privatizing archaeological sites, but PT notes that this assumes local groups
will take them over with oversight from the Greek cultural ministry.
NW asks about the provenances of coins. PT says very few
have recorded provenances and that there is no law either here or within EU market
countries that requires it for what is for sale.
PG asks about the academic paper attached to IAPN/PNG’s
submission that indicates that 18% of Greek coins are found outside of
Greece. PT notes that is a number for
all issues. For some issues, like
Athenian Tetradrachms and Decadrachms, there are more found outside of Greece
than within Greece.
There is some discussion about what is an archaeological
site. PT indicates that it is a site
with other material remains nearby, but recognizes that some archaeologists
define the term as anywhere something ancient is found.
Carmen Arnold-Biucchi (CAB) – Indicates support for the MOU
and restrictions on all coins found in Greece.
CAB emphasizes, however, that the coins must be found in Greece and not
found elsewhere. She agrees with PT that
issues of Athens predominate outside of Greece.
CAB supports the sale of duplicate coins from state collections and the
institution of programs like the UK’s Treasure Act and PAS. Harvard only purchase coins with a 1970
provenance.
TM asks if it is unrealistic to assume most collectors can
find coins with a 1970 provenance. CAB
admits most coins lack any provenance.
However, she says collectors should be educated about its importance.
NW asks about Byzantine coins. CAB indicates those found in Greece should
also be restricted.
JW expresses concern that “context” has been allowed to trump all other values.
CAB indicates that she supports laws that encourage coin
hoards to be reported.
CAB criticizes the fact that so many excavation coins are
not published, but notes that American archaeologists are far better than their
foreign counterparts.
Nathan Elkins (NE) - Coins are looted by the thousands. Even common coins can be significant to
dating. One coin worth 50 cents on the
open market helped date a synagogue in Israel.
NE has written an article critical of the ACCG and its test case. In it, he explains that the current
designated lists are quite conservative because they only take in coins
primarily found in a given country. Elkins
now thinks more should be covered—all those commonly found in a given country.
NW wants to know about coins found in Bolivia. Elkins indicates he is no expert.
Elkins thinks the broad Bulgarian MOU should be a guide and
looks forward to a day where overlapping MOUs will protect all coins.
Peter Schertz (PS) – PS speaks on behalf of the Virginia
Museum of Fine Arts (VMFA) and AAMD.
Loans are an issue. Pre-packaged
loans like the one going to National Geographic are fine, but they don’t meet
the current MOUs requirements for loans to institutions. The AAMD is looking for clarity on
loans.
William Parkinson (WP) – WP speaks on behalf of the Field
Museum, the University of Chicago, the Society for American Archaeology and the
Archaeological Institute of America. WP
lauds Greece’s efforts and collaboration.
WP works at the excavation of an early cave site. WP says a new exhibit from Greece called
“the Greeks” to be seen at National Geographic opens up 5000 years of Greek
history. It is a stunning achievement
and to call it “pre-packaged” is wrong.
In response to a question, WP admits it’s easier to
collaborate with people you know and its possible AAMD museums have problems
because their curators do not have such personal relationships.
Bryan Burns (BB) – BB teaches at Wellesley College. BB supports the MOU. He thinks more can be done to help Greece
digitize collections and ensure site security.
In response to a question from TM, BB says Cycladic art is problematical
because the area where this art is found has been heavily looted.
John Papadopoulos (JP) - JP teaches at UCLA. Looting is a fact of life in Greece. There has been an increase in first time
offenses. Artifacts stolen from the Corinth
museum ended up in Miami. Shelby White
and the Getty have repatriated artifacts stolen from Greece.
PG asks about private museums in Greece. JP indicates there are several, but each has
a public function. TM notes that the
Cycladic museum in Greece is a private institution. JP thinks there should be better on-line
inventories. JP also advocates public
awareness campaigns to tackle looting.
Kim Shelton (KS) – KS teaches at University of California, Berkeley. She works at Nemea and has made efforts of outreach to the local people. They have repaid her by reporting suspicious activity on site.
Barbara Tsinakis (BT) – BT teaches at Vanderbilt. She is speaking on behalf of the AIA. BT works on excavating homes. She thinks common artifacts found at the
sites of homes have cultural significance because the artifacts have much to
tell about how people lived. Coins are
obvious common objects, but others include transport amphora, loom weights and
cooking pots. BT would support making
loans more long term, but recognizes the difficulty of transporting fragile
artifacts.