The Guardian has reported on further neglect of major archaeological sites in Greece. See
http://www.guardian.co.uk/world/2010/dec/03/greece-ruins-tragedy-neglect
Based upon the article, the Greek cultural establishment appears to be hoping that another EU bailout will fund needed repairs, but that seems unlikely. The EU's banker, Germany, is already fed up after helping to bail out Greece's bankrupt economy, and the EU is facing other serious financial meltdowns in countries like Ireland and Spain.
All this once again seriously undercuts the proposition behind the proposed MOU with Greece that state control means protection for ancient artifacts.
Perhaps, countries like Greece should focus on proper funding for major artifacts and forget about "control" over redundant minor artifacts that frankly are likely to be better cared for by collectors.
Showing posts with label cultural significance. Show all posts
Showing posts with label cultural significance. Show all posts
Tuesday, December 7, 2010
Sunday, July 25, 2010
Why not Wine?
Most everyone likes a good glass of wine. Perhaps because I am partly of Hungarian descent, I sometimes enjoy a nice glass of chilled Tokaji. It's good to know someone at UNESCO must also enjoy a glass now and then. As the New York Times Travel section notes, UNESCO designated the Tokaj wine growing region of Hungary a world heritage site in the category of cultural landscapes. See http://travel.nytimes.com/2010/07/25/travel/25Tokaj.html And for you collectors out there, Hungary has also issued a coin to commemorate the occasion.
Labels:
cultural significance,
Hungary,
UNESCO
Tuesday, December 2, 2008
Pearlstein on Cultural Property
Cultural property expert Bill Pearlstein wrote a letter to the editor of Commentary Magazine about a review of Jim Cuno's new book. The letter was published in the December issue. Pearlstein rightly suggests that judgments about "who owns the past" should be made on a principled, analytical basis, rather than on one based on the ideology of nationalism or an "archaeology over all" perspective. Here is an excerpt:
[T]he ownership of the objects is what is currently at stake as American museums and collectors defend their collections against legal claims to return "looted" objects and fuzzier claims that ancient objects are best appreciated in their country of origin. The former are understandable and sometimes meritorious; the latter are not. Cuno has rightly disputed the received wisdom that source-nation "patrimony laws" discourage looting and help disseminate archaeological data. Such laws are merely nationalist in intent and effect, and any overlap between cultural nationalism and archeological preservation is coincidental.
Which is not to say that looting is acceptable or that ownership of looted objects should be encouraged in the name of building "universal museums" or spreading culture. Instead, an international legal framework should be created that gives due weight to persuasive national-heritage claims, protecting archeological sites, and promoting the international exchange of cultural objects by way of museum loans and private trade. (The role of private collectors here is as important as that of museum curators and the museum-going public.)
As a lawyer for private clients, I argued at a 2005 hearing of the President's Cultural Property Advisory committee against China's request for U.S. import restrictions on all Chinese cultural objects dating from pre-historic times to 1911. Cuno was one of three museum curators who also spoke against the restrictions, which a journalist rightly characterized as a "gross overreach" motivated by Beijing's desire to corner the booming market for Chinese artifacts.
One of the major auction houses suggested to the committee that the question of restriction should be evaluated in light of the following factors related to a given object: the quality and state of the existing archeological and art-historical record; site specificity, portability, and documentary importance; mass production and lack of rarity; frequent and long-term market incidence. This is a more thoughtful approach than simply banning everything old, and seems to be the best analytical model for deciding who should own the past.
[T]he ownership of the objects is what is currently at stake as American museums and collectors defend their collections against legal claims to return "looted" objects and fuzzier claims that ancient objects are best appreciated in their country of origin. The former are understandable and sometimes meritorious; the latter are not. Cuno has rightly disputed the received wisdom that source-nation "patrimony laws" discourage looting and help disseminate archaeological data. Such laws are merely nationalist in intent and effect, and any overlap between cultural nationalism and archeological preservation is coincidental.
Which is not to say that looting is acceptable or that ownership of looted objects should be encouraged in the name of building "universal museums" or spreading culture. Instead, an international legal framework should be created that gives due weight to persuasive national-heritage claims, protecting archeological sites, and promoting the international exchange of cultural objects by way of museum loans and private trade. (The role of private collectors here is as important as that of museum curators and the museum-going public.)
As a lawyer for private clients, I argued at a 2005 hearing of the President's Cultural Property Advisory committee against China's request for U.S. import restrictions on all Chinese cultural objects dating from pre-historic times to 1911. Cuno was one of three museum curators who also spoke against the restrictions, which a journalist rightly characterized as a "gross overreach" motivated by Beijing's desire to corner the booming market for Chinese artifacts.
One of the major auction houses suggested to the committee that the question of restriction should be evaluated in light of the following factors related to a given object: the quality and state of the existing archeological and art-historical record; site specificity, portability, and documentary importance; mass production and lack of rarity; frequent and long-term market incidence. This is a more thoughtful approach than simply banning everything old, and seems to be the best analytical model for deciding who should own the past.
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